Man and Woman Relationship in Naga-Mandala Essay

This paper is entitled Man and fair provokehood family in Girish Karnads Naga-Mandala.. Simone de Beauvoir in her essay The Second Sex states that The unharmed of feminine history has been gentle existence-made. Just as in America there is no Negro line, but rather a white problem just as anti-Semitism is non a Judaic problem, it is our problem so the muliebrity problem has evermore been a man problem. char in Naga-Mandala is seen as an other in the conjunction. It is an digest of agony and anguish go about by men and charhood in the hostel and their wedding party. Karnads pretend think over upon the role which women play in the society and the images of which are seen as biological, kindly side and Indian culture. Every men and woman are said to live in a stereotypical way and this cracks them a comfortably name in the society. Karnads play focuses on conflicts and dilemmas experienced by men and woman in their social situation.HypothesisThe pack aim in ana lyzing the man woman relationship which is interpret in the Indian play Naga- Mandala utilise the concepts of Simone de Beauvoirs Second Sex and the concepts of Patriarchy. importee of the study/Theoretical FrameworkThe study of man and woman relationship differentiates manly and female in terms of conversation, parsimoniousness and their behavior. The concept of patriarchy oppresses women among the society. In the play Naga- Mandala Karnad clearly portrays the relationship between man and woman with the feminist perspective. The research employs twain theoretical and analytical approach with the jockstrap of the text using the concepts of Simone de Beauvoir.Literature check overResearch paper titled Naga-Mandala A Story of Marriage and Love, provides the relationship of man and woman portrayed in the play. abridgmentNaga- Mandala is a play about a young couple named ranee and Appana. Appana is seen as maintain who does not take carry off of his married woman and locks her up in the kinsperson and he comes only in the afternoon to eat his lunch. According to Simone de Beauvoir, Appana treats his accept married woman as the other and makes her passive and static. He uses her as a so called wife to show the society that they are financial support to involveher. Appanna does not lead a erect conduct with his ranee and imprisons her by lockup her up inside the house. Appanas authority is ranis subversive spirit and the respect she gives to her save. rani is portrayed to be a good wife end-to-end the play. She obeys her con administer and cooks lunch for him every day. She sees her husband as a sacred immortal and worships him throughout the play. According to the Indian society marriage is seen as something sacred of sex and hit the hay between men and women. In this play ranee adjusts and lives her social life by herself, who is appointed by her husband and the traditional society.Throughout the play Appana does not show any recognize o r affection to his wife. The relationship of Appanna and the doxy is considered to be the symbol of lust. Girish Karnad portrays Appanna as the best slip of male chauvinism. He goes to the concubine and neglects his own wife and locks her so that she doesnt get into any relationship. He is seen as a selfish person who leads a hearty life with another woman. He uses this woman only for her body and not because of love. This shows that he is escaping from the reality and cheats his wife and the concubine. He is treating the concubine and Rani in an unfair manner. The relationship with Rani and Naga is considered to a genuine love in the play. Naga comes in the form of Appanna and loves Rani who was in isolation from her real husband. Naga gives Rani everything that she missed from her husband.He also understands and consider her feelings and emotions. Even though Naga is a glide he expresses true love to his lamb which a human being disregardnot give to his wife. As a result of their love, Rani becomes pregnant. In Kiranths words, an Indian woman knows that motherhood confers upon her a purpose and personal identity that nothing else in her culture can. At the end of the play Rani is seen as a mother and good wife to Naga. The death of Naga plays a major(ip) role in the story where he sees Appanna andRani with their child sleeping together, he feels jealous and this shows that he loved Rani and was very possessive on her. He dies for the sake of Rani and her family. Rani asks Appanna to falsify to perform a sacred religious rite for the dead Naga and her son should do the pass rights of his father, and Appana agrees to her strange demand. This shows the true love that she had for Naga. A.K.Ramanujan writes that the ritual tale itself is a public rase told during the Cobra Festival to propitiate snake, to ensure guard duty and fertility within marriage.ConclusionThe analysis of Man- Woman relationship in Karnads play, serves as the best example of w omans position in the society. marriage is always open, and a recognition of the blessings and saving grace of the outsider for bringing together the husband and wife. This is clearly seen in the play where snake- caramel is seen as a hero in the play by expressing his true love to his beloved. Appanna has failed in his relationship with his wife and the band makes him to accept Nagas son as his own. The two men with different characters serve the twist in the play, and they are get contrast between each other. In a happy family the husband should always via media with the wife and the wife should compromise with husband. Thus, after the death of Naga, Appana starts a red-hot life with his wife Rani.ReferencesKarnad, Girish. Naga-Mandala A impart with a Cobra. New Delhi OUP, 1991. Print.Beauvoir, Simone de. The Second Sex. Trans.Constance Borde and Sheila Malovany-Chevallier. haphazard House, 2009. Print